Heal the World, Make It a Better Place

My sister and I were 6 and 8 when my father, a doctor, was invited to work in Iraq. Since we were still very young, my parents decided to take us with them leaving behind my two elder brothers with my grandparents. That was in 1979.

My father was first posted in Al Sahein, a small village in the wetlands of Southern Iraq. Al Sahein stood on the marshes between the two great rivers Tigris and Euphrates. The ‘Marsh Arabs’ or Ma’dan as they were called, built their houses using reeds of grass which grew abundantly in the area. My father’s hospital and the living quarters which were probably the only concrete buildings in the village, were both built on water like all the other houses in the village. People used boats to navigate around and their lives depended on the marshes for food and shelter. The local population showed immense respect for doctors who worked in the village hospital. They went out of their way to help us settle down and adjust to the new life. Though the region was under-developed, with the support and affection of the local people, we lived there comfortably for around six months before my father was posted to another place. Over the years the marshes were systematically drained and people were forced to move to other places during the political regime of Saddam Hussein. Efforts are now underway to restore this unique heritage site and make it a tourism destination. The Ma’dans are gradually coming back after many years, picking up the remnants of their lost life and creating a new livelihood for themselves.

My father was later posted in various other small towns like Qalat Salah, Samāwah and of course the city of Baghdad but everywhere we went, we made local friends with whom we had very good association till we left the country in 1984. Qalat Salah and Samāwah didn’t have English schools and my parents taught us at home from books brought from India. The people of the country fascinated us as children and as my parents were quite adaptable to new environment and cultures, we were very receptive to the local experiences. Neither the heat, nor the strange neighbourhoods deterred us from having fun. We had many local friends with whom we spoke in broken Arabic punctuated with our highly creative use of non-verbal communication. It worked most of the times but an occasional   lapse in our communication would bring out a volley of interesting swear words from both sides that would bring all interaction to a sudden halt only to rekindle our friendship again after a few days.

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With my sis in Baghdad, circa 1983

We were particularly fascinated with their local breads khubz (a tandoori flat bread) and samoon (a long loaf of bread), which were their staple. My sister and I often helped our land lady of our Samāwa home, make khubz in her traditional mud oven called tannour. It was enchanting to watch her skilfully knead the dough and pat them into huge flat rounds and stick them inside the hot oven. We would often hover around their kitchen to catch a glimpse of the family (the parents with their 10 children) as they sat around a huge plate of their favourite breads and delicious curries, chatting and generally having a great family time. We were sometimes treated to a couple of freshly baked samoon or warm khubz that we immediately devoured with a dollop of butter on them.

The Iraqis we met or befriended during those few years were very kind and generous. Several times when we travelled by local taxis and buses, the drivers would refuse to take money from my father as he would speak to them in bits and pieces of Arabic that he picked up as a doctor. Throughout the journey they would talk about life in Iraq and my father would share information about India and its traditions and culture.  Friends from my father’s hospital also regularly visited us and my mother would serve them some of our Indian delicacies that they would literally lick off the plates. Many of them loved Mohamed Rafi, the legendary Indian playback singer of Hindi movies. They would request my father to share with them some of the audio tapes of his famous songs or would copy them on to new tapes using a tape recorder. Though they were fascinated and curious with our way of life and dressing, they were seldom disrespectful. My parents had many Indian friends and over the weekends (Friday was their day off) we would meet them for lunches and dinners. But the memories of our Iraqi friends, our playmates, our silly, stunted bilingual conversations with them, the bitter-sweet taste of raw dates, the beautiful sound of Arabic is what we cherish the most.

Our experiences staying in Iraq for two years shaped our world view immensely. The friendships and associations that we made back then left an indelible mark on our mind; we learned that people everywhere were the same; they loved and hated the same things, had the same family values, and went through the exact same rigors of life within their political, geographical and social limitations. We had seen the consequences of war and how it had changed lives forever. Curfews, night patrols, emergency sirens in the middle of the night, bullet shells everywhere and many more such experiences are so vividly etched on my mind. We had seen the effect of war on families around us – bodies of soldier sons returning home from war, young boys forced into training camps and from there to the battle fields; poverty, fear and unpredictable future in front of them. These experiences of human suffering and death and decay is imprinted in our psyche and taught us young that life is precious, that we are among some of the few fortunate souls who have been given the gift of healthy and happy living and that everyone is entitled to a healthy and prosperous life. We often wonder now what has become of the kids we played with. All that we can do is to say a prayer and hope that their families have survived the destruction.

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Mom and Dad in Qalat Salah, circa 1983

The eight-year long war fought between Iran and Iraq left both sides depleted of its culture, heritage and people. By 1984, all those foreigners who were invited by the Iraqi Government, were sent back and the country steeped into an economic and political rut. Hundreds and thousands of people died and many were left with a future that was bleak. Iraq is a standing testimony to what greed and arrogance can do to one’s world. The region, earlier known as Mesopotamia, was the cradle of civilisation and culturally very fertile. History documents this region as the land where the first writing system has been invented, the land where Mathematics, Astronomy, Medicine originated and was known as ‘Cradle of Civilisation’. Today Iraq’s political situation has changed hands but the horrors still continue. There are several such nations across the globe whose political and social situation is no less horrific. We are losing the world and its people, the rich heritage and their oral histories to our egos, arrogance, greed for economic wealth, political power and communal hatred.

The pandemic we are witnessing now has put a lot of things in perspective. It has definitely proved that there are more important things in this world than our petty squabbles.  Now is a great time to understand and teach our children the value of life. You can only fall in love with people when you read and understand different cultures, their histories, understand their pain, share their laughter.

Sometimes a simple weapon is enough to win the greatest war.

 

 

 

 

Ferry Services – The Lifeline of Goa

Goa is endowed with natural waterways that are navigable throughout the year. A lot of commercial activities as well as enterprising travel and tourism activities take place using the vast network of waterways, making Goa well-connected. Crisscrossing this tiny state are the major rivers like Mandovi, Zuari, Sal, Terekhol and Chapora that flow past the remotest villages and islands of the state thus easing the travel time of many people. Government and private run cruises for tourists and floating Casinos fill the Panjim coastline giving a boost to the tourism development in the state.

Identifying the need to tap the waterways, ferry services were established during the pre-liberation times which are still very popular and are essential commuting service in the state. Taken care of by River Navigation Department (RND), Government of Goa, there are 19 ferry crossings across Goa and catering to people as well as vehicles which are ferried across the river at the same time. Services in some places start from 5:00 am and end as late as 2:00 am in some places. According to the River Navigation Department, around 2.5 lakh commuters and 18,000 vehicles use ferry services across Goa.

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Living in Panjim, some of our Sundays go into exploring the island of Divar which is connected only by a ferry. Of the many things that excite us during our expeditions is the ferry crossing. There are two terminals to go to Divar – one from Ribandar and the other from Old Goa. Both offer quick and very prompt service and the entire crossing lasts for not more than 5 minutes.  Every ferry has a ticket collector and a driver employed by the Government of Goa. While cars are ticketed for as low as Rs 7-10, it is free for people who use the service. Manoj, a ticket collector on one of the ferries smiles when I ask him about the ticket price.  “It is a government service. Fuel and salaries are borne by government.”

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Many islands like Charao and Divar are only connected via waterways and a large number of residents of these islands commute every day using these shuttles. Generations of families have lived on these islands and ferry crossing has been part of their lifestyle. While many, especially the younger generation, find it inconvenient to depend on these shuttle services for obvious reasons, there are several who are resisting the construction of bridges across the rivers. For a large number of people, it is the fear of the rapid commercialization that Goa has been experiencing for the last couple of decades with the ‘intrusion’ of ‘the outsider’ (bhaile in Konkani).  Anthony, a resident of Divar is torn between the idea of better transportation facilities and preserving the resources of the island. “Our families have been living here for generations. Sometimes when there are delays in the morning on the way to work because of crowded ferries or a breakdown of the ferry, our day is disrupted. That’s when I feel the need for a bridge,” he says. Many like him prefer a quiet and serene rural environment far from the temptation of the hustle and bustle of a commercialized city. Some ferry crossings like the one between Kerim-Tiracol and Panaji-Betim also have bridges but many still prefer a ferry to save fuel and time.

With all its temporary hitches and snags, a ferry ride is still one of the most romantic aspects of a Goan lifestyle. Whether you are a tourist or a local resident, enjoy some lazy moments on a ferry boat for that unique Goan experience.

 

 

 

The Market with a Goan Flavour

If you are a traveller who loves learning about people and the cultural heritage of the places you go, then visiting a marketplace is a great way to begin your journey. This time when you are in Goa, add to your list of things to do, a visit to Mapusa Friday Market which is probably the only traditional market place in Goa.

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No one knows when exactly Mapusa market had become popular exclusively for its Friday market, but this busy town has always been an important market place in North Goa. The Mapusa Municipal market area, located right next to the Mapusa bus stand is very conveniently located and could be one of the reasons for its thriving trade and commerce. This place especially comes alive every Friday with vendors and farmers selling their home-grown produce in their makeshift shops. The place throngs with the local residents and people from the nearby towns who come to buy and stock local produce for economical rates.

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I never miss going at least a couple of times to the Friday market during the summer months. It is a treat to one’s epicurean eye, the display of home grown vegetables, fruits, pulses, fresh and dried fish and home ware such as earthen pots and vessels, locally made iron pots and pans and domestic tools, locally woven coir ropes and mats, brooms made with coconut leaf stalks etc. March to May, the market is filled with raw mangoes and sacks of red chillies and other necessary condiments required for pickle-making. Goa observes annual fishing ban during the monsoon months of June-August as it is the spawning time for fish and also is risky to sail on choppy seas. Hence people buy and store dried fish to last the season. Woven bunches of shallots, chillies, seedless tamarind, dried and deseeded kokum fruit, strings of the spiced  and marinated Goan pork sausages called Chouriҫo and certain condiments used in the local cuisine are bought in large quantities by many Goans as the wet months don’t offer good produce.

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Rosy, a woman from Pernem who has a permanent shop in the market that sells earthen ware, is happy that even during summer she has good business with people coming to buy earthen. In spite of having a refrigerator at home, many prefer cool water stored in these earthen pots especially during the hot days of April and May. Along with these, she also sells many other earthen containers and cookware that the Goans use to prepare food. Kashinath, another vendor who comes every Friday to sell his coir ropes and coconuts, seems happy with his temporary space for the day. He makes and sells coir ropes of different thickness and is one of the few in the area to have such a variety. Comfortably seated and protected by his huge umbrella on that sunny morning, Kashinath proudly explains his routine. “I make all these ropes at home and sell them usually from home. On Friday, I come here to make a little extra money as I make brisk business here. When I am busy, my wife or mother take my place.”

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Besides the local products, the market is filled with shops that sell inexpensive clothes, colorfully embroidered bedspreads and quilts, steel kitchen ware, kitchen and garden tools etc sold by sellers who come from other states. Bargain smartly to get good deals for some of these items.

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In spite of the continuous flow of crowd and the swift and busy trade that takes place throughout the week and especially on a Friday, the market is kept clean by the Mapusa Municipality. Traffic is a little haphazard on a Friday but there are paid parking lots managed by the municipality personnel who can assist you with a parking slot. Most of the local vendors understand and speak basic English and help you make your purchases patiently.  On a hot and humid day, be sure to wear comfortable cotton clothes and a hat. Visit the market early so you can avoid both the milling crowd as well as the heat of the day. But whatever the time of your visit, the market is sure to leave a few worthwhile memories to carry back.

Bastion of the Bygone Era – Reis Magos Fort

As you drive through the fishing villages of Betim and Verem off the city of Panaji, the winding and narrow streets suddenly bring you to the Mandovi river front. Gradually the view of the whitewashed Reis Magos church comes into view with the laterite stone walls of the fort just adjacent to the church. Reis Magos Fort in Reis Magos village, North Goa is one of the most beautifully restored monuments in the recent times. An abandoned sub-jail till 1993, it was finally taken notice by the Goa Government and was taken over for renovation in 2007. It was later opened for public in 2012 as a cultural and heritage monument. It is now listed under Goa Ancient Monuments and Archaeological Sites and Remains.

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Goa was a Portuguese colony for around 450 years and was liberated on December 19th, 1961. The fort was built as the first line of defence by the Portuguese in the year 1540. It was constructed at a strategic point to prevent the Dutch from entering the waters of the Mandovi and thence to Old Goa or Ela, once the capital city of Goa. Several changes were made to the original structure in 1595 and again in 1707 to strengthen it further. Two more forts were built later in Aguada and Cabo in order to fortify their hold in Goa during the Maratha invasions. Eventually the Portuguese shifted their capital from Old Goa to Panaji and the fort was only used sometimes as a jail or to lodge soldiers in times of need. During the Goa liberation, some of the freedom fighters were jailed in the fort and later the fort continued to be as a sub-jail till 1993. Eventually in 2007 Goa Government decided to restore it and it was opened to public as a cultural and heritage monument.

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The fort stands tall today, keeping within it the stories of the people it had protected, the times it had witnessed and the wars it had fought. Reis Magos fort also houses the Mario Miranda Gallery, a Restoration hall and a Freedom Movement Museum. The most impressive aspect of my visit to the fort a few years back and again last month, was the well-kept and managed premises. You don’t see a sign of litter anywhere and this adds to the charming experience. It is now frequently visited by tourists, art enthusiasts, students and others who come here to enjoy the serenity and beauty of the place.

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The best time to visit the fort is in the morning before it is too sunny. The registration counter at the entrance provides water and beverages but once inside the fort, there is no restaurant. Make sure you wear light cottons to enjoy the warmth of the sun and the cool breeze of the Arabian Sea. The fort is open from 9:30 – 5:00 every day except on Mondays.reis 4

The fort, made of laterite, overlooks the Mandovi river and it offers a fantastic view of the river and the sea. Many of the ancient trees are saved during the restoration and they add an aura to the fort structure. Reis Magos Church, said to be the oldest church in Goa, stands next to the fort with its white-washed façade. The fort and the church make the small village of Reis Magos, a must-visit place in Goa.

Dance of the Gods

The place reverberated with the beating of drums and the chanting of Vannams. As we entered the open-air makeshift theatre lit with oil-lamps, for a minute it seemed like we were part of a temple festival. The loud cheering of the audiences soon drew our attention to the performers in the middle of the theatre.  It was the first day of Guru-Gedara Festival in Colombo, Sri Lanka.  

Guru Chitrasena and Vajira

A few months ago, I had an opportunity to witness one of the most spectacular dance forms from Sri Lanka, the Kandyan dance. An endeavour to promote the age-old art forms of Sri Lanka, the Chitrasena Vajira Dance Foundation organised the Guru-Gedara Festival from August 30th – September 2nd 2018 in their cultural ashram in the heart of the city. Guru-Gedara festival is a tribute to the gurus who have kept the art and culture of Sri Lanka alive for generations. This festival celebrates the sacred relationship of a master and his disciple, which is being carried on for many generations with immense discipline and devotion.

The four days of Guru-Gedara festival exposed us to the rich and varied cultural heritage of Sri Lanka. Hands on workshops opened up an opportunity for the young students and dance enthusiasts to learn about the traditional arts of making masks, gok craft, drum making, costume making, puppetry etc.  The creative partnership and mutual dependence of the dance gurus and the artisans culminated in the successful display of some of the best performances that I have witnessed in my life. With the intricately woven backdrops and stage installations, elaborate costumes and exquisite headgear and jewellery, the dances came alive every evening with the dancers lost in a trance to the rhythmic beats of the drums and chants and the audience completely spellbound with the magnificent display in front of them.

A Kandiyan dancer

The Kandyan dance, native to Kandy, the central hills region in Sri Lanka, was predominantly performed by male dancers in the earlier times. Over the years it has metamorphosed and customised itself to bring in female dancers into its fold. It was the husband and wife duo Guru Chitrasena and Guru Vajira who were responsible for the revival of art and dance history of Sri Lanka. They were instrumental in transforming village rituals to what you see as a dance form today.

Started in 1944 in Colombo, Chitrasena Kalayathanaya was the seat of cultural history of Ceylon. The legendary Guru Chitrasena and his wife Vajira were the proponents of the school and started it with a handful of dedicated students. Years after the death of Guru Chitrasena, ‘Chitrasena Vajira Dance Foundation’ stands tall as a beacon for the future generations of dancers. Heshma Wignaraja, the eldest granddaughter of Guru Chitrasena and Guru Vajira, has committed her life to the administrative and cultural responsibility of the school. The principal dancer, Thaji Dias along with her team of dedicated dancers displayed an optimistic picture that the cultural landscape of Sri Lanka is preserved for the next many generations to come.